Sunday, September 25, 2011
Synecdoche
Saturday, September 10, 2011
Flimsy Film Critic
Tuesday, September 6, 2011
Everything but The Chicken Skin
What is the substance - the flesh and bones of what the word 'love' refers to? For too long people have hidden behind and defended this infamously vague concept.
'Love' is a Trojan horse, or the suitcase of an unsuspecting mule. When attempting to convey strong, positive feelings you'd be wise not to fall into the trap of using such a word. It carries with it such assumptions as 'if you love me then you would...' as well as the ever popular 'if you love me then you wouldn't...' As if love is a magical force that causes those under its influence to behave in certain ways, while preventing others. When in reality, someone who confesses to being infected with such a notion is no more free or inhibited than he was without love.
What has a noticeable impact are the expectations you might have of someone who told you that they loved you, or the expectations you would have of yourself if you had been unfortunate enough to have given into the pressure to utter those three fateful words.
Love is not a constant; the only stability lies in the idea that you will always love someone unconditionally, whereas there is no actual experience or reality to lend weight to the concept of everlasting love, other than the strong emotional attachments we are capable of forming that have a physical, neurological basis. This is why 'I will always love you' can turn into 'I cringe at the mere thought of you' over a simple matter of time.
But again, there is no love, and what we find instead is the collective desire to feel the reassurance of some benevolent force outside of ourselves. Something innately and consistently 'good' to rely on, instead of the many different, sometimes unspeakably ugly, and psychotic faces of man.
We are effectively alone with ourselves on this planet, like a mentally disturbed character dreading the moment he is left to his thoughts and for his mind to finally run wild.
We turn a single blind eye to the realities we wish weren't so, while our minds are kept busy, left to pick up the pieces of the overwhelming mess we have witnessed.
Don't Quote Me On That
Sunday, September 4, 2011
Paper Friendships
Remember this next time someone tries to lay a guilt trip on you for forgetting their birthday.
Ghost in The Machine
We distrust the seemingly mechanistic, and shun the notion that we err like clockwork. I imagine that it prods the eternally sore spot that is our concept of free will and desire to believe in a ‘soul’. It seems difficult to come to terms with the idea that the most complex things we know can be explained and understood by reducing them to their constituent parts and the interactions between them.
Saturday, August 20, 2011
Unreal People
I don’t care that people are fake, because I think they are unreal. There is a difference between the two you see.
‘Fake’ implies imitation of some sort; a fake plant may be made of plastic and fake fruit from wax. Where one or more of the fundamental characteristics are altered in such a way as to have a significant impact on the interactions one would have, or expect to have with such an object. For example, you wouldn’t need to water a fake plant and find a sunny spot to place it, and you’d be wise not to consume a wax banana. Artificial flavours and smells are known to originate from sources entirely different from the things which they are intended to imitate. A fake chair made from a thin layer of paper would be unsuitable for sitting on, whereas the primary purpose of a ‘real chair’ is generally to allow someone to sit in relative comfort.
‘Unreal’, while similar, does not imply the exact same things as ‘fake’ does. The qualities that make something unreal seem to be even less tangible and more abstract. It might be said to be beyond our comprehension what it is at the core of something that makes us label it ‘unreal’.
The general substance that makes up something ‘fake’ is always real, but something ‘unreal’ appears fundamentally so.
People are traditionally labelled ‘fake’ when their beliefs do not correspond to their actions, or vice versa, and when their behaviour acts as a thin veneer to conceal their thoughts. Instead of being an accurate reflection of their thoughts and emotions, their behaviour is an imitation of what may be expected of them, or what they believe is necessary given the situation. They are ‘two-faced’.
This much is obvious. However, I have recently discovered that humans are unreal in addition to being ‘fake’ in the traditional sense.
I can read words, hear voices, see faces, and even occasionally make physical contact with them, yet they remain unreal and elusively distant from me.
It’s not that I consciously believe people to be just realistic projections of some kind, but sometimes my reactions to them imply that I do think them to be.
Humans are unreal because they appear to be fake – imitations of some unknown standard or blueprint, yet all currently available methods appear to verify that they are indeed genuinely genuine. A fake moustache is obviously fake because it’s made from plastic, attached to a fake nose and fake glasses, but it is not unreal. A human on the other hand, warrants its ‘unreal’ title by virtue of its apparent and unexplainable, unidentifiable ‘fakeness’. The source of its fake quality is not readily available upon inspection, whereas the moustache can be easily removed in the name of science.
I must admit, that the closer I am to a human, the more their unrealness diminishes. But it is more than a hint of suspicion that remains, even in a cell-to-cell state of proximity. It’ll take far more than intercourse to convince me.
The gap between myself and empathy is unspeakably large on average. Quite naturally and understandably, it is difficult to empathise with something whose very existence you hold in question. The demands of deities fail to inspire me, and I feel no love for dying unicorns.
Maybe I’m just inhuman. It would go a long way to explaining many things, especially when invoking Occam’s razor.
Perhaps once you strip away all the fuzzy labelling and unfit generalisations it becomes impossible to feel anything poetic for a fleshy bag of bones and impulses, let alone any variation of ‘love’. Skin is only ‘loveable’ in a very visceral sense, what people really love is ideas and concepts - fluid things that cannot be pinned down long enough to be sufficiently scrutinized.
So, where a crack appears we paper over it with engrossing and exciting-seeming stories that actually lead nowhere, and certainly no closer to bridging what is beginning to look more and more like a gaping gulf.